Projects per year
Nick is a published and funded researcher and award winning creative whose research consultancy impacts on global, industrial companies, international NGOs as well as governing bodies and civic communities in the UK and overseas.
He is founder of design-research-consultancy Community21.org a 'spin-out' social enterprise from within the University that delivers collaborative research consultancy.
Nick has developed practice–based and applied approaches to social and sustainable design and material innovation research and enterprise, working within the following subjects areas (not exhaustive):
Circular design, systems and economies in UK and countries in Africa and Asia. Prevention of waste, the elevation of the value and acceptability of waste materials and circular economies in fashion, design, the built environment and developing communities working with organisations including Ellen MacArthur Foundation, Vision Aid Overseas, The Marine Conservation Society, The Onassis Foundation, Emmaus, The NHS, The British Council, Veolia, PUMA, Interface, Tesco and The Design Council.
Material innovation and sustainable design including working with Philips, ICI, Eastman, Absolut, New Balance, The BBC, Vivienne Westwood, The Beatles and Apple Corps, The V&A and Natural History Museum.
The role of technology and making in supporting youth and public engagement, inclusive, urban and community planning with The Nominet Trust, U+I, The British Council, The Trust for Developing Communites, The Rural Community Council Network and this work has been presented by invitation to The House Lords, The Department of Communities and Local Government, The Cabinet Office and The Rural Commission.
The role of design, making and remaking in supporting health and well-being working working with East Sussex County Council, Brighton and Hove City Council, The NHS and The UK Milk Bank.
Design and nature, connecting people to nature and designing directly for species proliferation and the natural capital with UNESCO Biospshere, Emmaus, Rewilding Sussex, The Hertiage Lottery, The Royal College of Art and Goldsmiths Citizen Nature Watch.
This collaborative research constructively manifests through the creation of tangible tools, practical products and engaging spaces, exhibitions, systems and services that are co-developed and utilised by industry, NGOs, charities, governing authorities and communities of diverse types.
Nick has exhibited design research outputs at Tate Modern Exhange, The V&A Museum, The Natural History Museum, The Hayward Gallery in London and internationally in the US, Europe, Asia and Australia. His work has featured in numerous features internationally including The Guardian, The Independent, The Times, The Sunday and Financial Times, The Mail and New York Times online, Blueprint, Frame, World of Interiors, New Design, IDFX, BBC TV and Radio.
Project funders as principal or co-investigator include (not exhaustive); The British Council and Ellen MacArthur Foundation (2019, 2020), Co-op, Building Connections (2019), Interreg (2018, 2017, 2012), The Arts and Humanities Research Council (2012, 2015 & 2016), HEFCE (2017), U+I (2016), The Department of Energy and Climate Change (2012), The Nominet Trust (2013), Brighton and Hove City Council (2015, 17 & 18), The Dreamcatcher, South Africa and Utopia Foundation USA, (2016) Heritage Lottery (2015), Gulbenkian Foundation (2009), The National Lottery (2017, 2010 & 2005), UBM (2013), Tesco (2013), Forbo (2013), REED PLC (2006,07,08), IESE (2013), The Crafts Council (2004), The Design Council (2003). This work has led to innovation and policy change in a number of partner organisations and has helped provide significant income to support the work of charities and community partners in challenging economic times through co-produced and applied research.
He has delivered outputs to research census RAE 2000, REF 2008 and REF 2014 including two impact cases studies in units D34 and D36. He has fulfilled a role as Assistant Head of School for Research, Enterprise and Social Engagement, he is a research mentor and sits on school research and enterprise committees as well as having peer reviewed for grant funders including AHRC, EPSRC, Leverhulme Trust, international journals and conferences and book publishers such as Lawrence King, Thames and Hudson and Routledge.
He teaches across a range of art, design and environment programmes, he co-wrote the acclaimed MA in Sustainable Design and is a PHD supervisor and examiner with completions. He has been external examiner and validated programmes for world leading institutions including Design Products and Futures at The Royal College of Art and MA Material Futures at Central St Martins and MA Ecological Design Thinking at Schumacher College.
Engaging Design and Making Research:
Designed products, spaces, services and systems pervade every part of our lives. The world is awash with ‘stuff’ - Design has ‘made it’. However in times of ecological crisis, environmental pollution, social and political uncertainty and economic disparity design stands simultaneously as both disease and cure.
I am interested in how designing and making contributes to positive, public persuasion, sustainable storytelling, community engagement, culture shift and behaviour change beyond delivering the next iteration of homogenous mobile phone. Design has agency and is being engaged as a tool and means to address issues of our time. Moreover design is about engagement – through potent, product propaganda, meaningful, material messaging and critical, craft campaigns, designers and makers are utilising the powerful language of materials, objects and products and the ubiquity of services and systems to change behaviour, provoke protest and empower people.
Designers and makers of diverse types are dispensing with disciplinary traditions and forming new alliances, promoting civic engagement, mass participation and clean growth, creating tools for accessible exploitation, community activism and more virtuous circular economies. Post disciplinary methods see the rethinking of material manipulation, techno-crafting, distributed manufacturing and open-sourcing. Some of our most pressing issues have re-awakened design with the critical concern and purpose that once defined it and artists, designers and makers can turn these issues into opportunities for positive intervention and ethical economic development that integrates more symbiotically with our eco-system.
- Social and sustainable design (and the link between them).
- Materials and making / materials and meaning making / material innovation.
- The valorisation of waste (through design and making) and circular economies
- Design and making in the context of health and well-being and social empowerment
- Design and nature and environment
- Research that utilses design and making methodologies that generate knowledge
- The co-design and use of technology as a tool in community engagement.
Approach to teaching
My design work is trans-disciplinary and I teach across range of disciplines including visual communication, graphic design, 3D and product design, craft, interior design and architecture, planning and environment. I simultaneously integrate externally funded research into teaching providing students with ‘live’ opportunities to work at the cutting edge of issues of social, economic and environmental research in partnership with stakeholder organisations.
Community21 as a social enterprise based within the University brokers authentic 'live' opportunities for students and collaborating companies, NGOs or communities.
This has had a direct impact on student’s winning national and international awards, taking up leading professional roles with organisations such as Shelter, Forum for the Future, Nesta, UK Government, Nike, Adidas, Parley for the Oceans, Ikea etc and developing acclaimed graduate enterprises instigated by interaction with research-led student experiences.
Research Output per year
Research output: Non-textual output › Exhibition
Activities per year
Activity: External talk or presentation › Oral presentation