I am undertaking a practice-based PhD examining the political agency of noise art practices. I am interested in critical noise theory and its potential for aiding novel approaches to the production and analysis of contemporary art. Incorporating a number of strands which emerge from, and often lead back to speculative philosophy, my research aims to elaborate an understanding of the way art practices expand possibility space within the social imaginary. Engaging with recent theories of hyperstition and xenofuturism, my research seeks to contribute a productive assessment of noise, problematising previous thought concerned with notions of transgression.