Abstract
The underlying research for this paper recalls the development and presentation of telepresent installations ‘Telematic Dreaming’ and ‘The Telematic Séance’ from 1993. Twenty-five years on I produced the installation ‘Touched’, exhibited in the Digital En- counters Show for the British Science Festival in 2017. Techni- cally, ‘Touched’ worked in exactly the same way as ‘The Telematic Séance’, its layering of keyboard projection, text and image explores a new telematic experience of intimacy where the meaning of the type becomes dependent on the richness of touch. The paper compares this with Myron Krueger’s founding ‘Meta- play’ experiments in the late 1970s involving touching hands on a telepresent screen and the findings of the proprioceptive ‘Rubber Hand Illusion’ developed by Psychologists Matthew Botvinick and Jonathan Cohen. These comparisons concur with the phe- nomenological outcomes participants experienced in ‘Touched’ where a greater sense of empathy emerges through a shared space of mutual presence.
Original language | English |
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Publication status | Accepted/In press - 22 Jun 2019 |
Event | International Symposium on Electronic Art 2019: LUX AETERNA - Asia Culture Centre, Gwangju, Korea, Republic of Duration: 22 Jun 2019 → 28 Jun 2019 Conference number: 25 http://isea2019.isea-international.org |
Conference
Conference | International Symposium on Electronic Art 2019 |
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Abbreviated title | ISEA2019 |
Country/Territory | Korea, Republic of |
City | Gwangju |
Period | 22/06/19 → 28/06/19 |
Internet address |
Keywords
- Telematic
- Installation
- Telepresence
- Proprioceptive
- Chat
- Interface
- Keyboard
- Cognitive
- Illusion
- Intimacy
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Paul Sermon
- School of Art and Media - Professor of Visual Communication
- Centre for Arts and Wellbeing
Person: Academic