Abstract
Sports journalists are experiencing transformations to the bases of their cultural authority in the twenty-first century. Sports journalism moved towards gossip and sensationalism in the 1960s as a result of the displacement of its reportage of sports events by radio and television (Whannel 2002). This shift led to an increasing demand on access to sources inside professional sport for stories that would often be aggressively pursued (Boyle 2006). Sports journalism therefore became reliant on its place within the sport-media production complex to legitimize its dominant position as the constructors of meaning and context around sport (Wenner 1989). The sport-media production complex is defined as a series of inter-locking, networked power relationships between media, sponsors, clubs, leagues and governing bodies leading to the manufacture of sport as a commodity.
| Original language | English |
|---|---|
| Title of host publication | Transforming Sport: Knowledges, Practices and Structures |
| Editors | Daniel Burdsey, Thomas Carter, Mark Doidge |
| Place of Publication | Abingdon |
| Publisher | Routledge |
| ISBN (Print) | 9781138052246 |
| Publication status | Published - 30 Jan 2018 |
Bibliographical note
This is an Accepted Manuscript of a book chapter published by Routledge in Transforming Sport: Knowledges, Practices and Structures on 30/01/2018, available online: https://www.routledge.com/Transforming-Sport-Knowledges-Practices-Structures/Carter-Burdsey-Doidge/p/book/9781138052246Fingerprint
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Simon McEnnis
- School of Art and Media - Associate Dean Education and Student Exp
- Sport and Leisure Cultures Research Excellence Group
Person: Academic