Laying Down Memories: The Cultural Mobility of Tejo Remy’s Chest of Drawers

Research output: Contribution to journalArticle

Abstract

This article examines Tejo Remy’s 1991 chest of drawers, You Can’t Lay Down Your Memory , as a ‘cultural event’, a definitively mobile object, which must be understood as being constituted not as any given iteration of its multiple nature, but in the intersection of these multiplicities as it moves in the flows of culture. Consequently the discussion is centred upon a partial biography of Remy’s piece that traces some examples of its incarnations: as a student project; as a part of the Droog collection; as an exemplar of the ‘Dutch inflection’ in design; and as a decoration for a casino in Las Vegas. In this way the intention is to demonstrate how culture is now defined by the mobilities of its parts; how products such as Remy’s strange chest of drawers can be understood as not simply things that are made and then mediated, but as objects that exist in the operation of their mediation.
Original languageEnglish
Pages (from-to)245-257
Number of pages13
JournalJournal of Design History
Volume29
Issue number3
DOIs
Publication statusPublished - 18 Dec 2015

Fingerprint

Chest of Drawers
Lay
Intentions
Iteration
Casino
Inflection
Incarnation
Decoration
Mediation
Multiplicity
Las Vegas

Keywords

  • biography
  • furniture
  • historiography
  • mediation
  • mobility
  • Tejo Remy

Cite this

@article{6f8efab4120340daaad412bbac07a0ec,
title = "Laying Down Memories: The Cultural Mobility of Tejo Remy’s Chest of Drawers",
abstract = "This article examines Tejo Remy’s 1991 chest of drawers, You Can’t Lay Down Your Memory , as a ‘cultural event’, a definitively mobile object, which must be understood as being constituted not as any given iteration of its multiple nature, but in the intersection of these multiplicities as it moves in the flows of culture. Consequently the discussion is centred upon a partial biography of Remy’s piece that traces some examples of its incarnations: as a student project; as a part of the Droog collection; as an exemplar of the ‘Dutch inflection’ in design; and as a decoration for a casino in Las Vegas. In this way the intention is to demonstrate how culture is now defined by the mobilities of its parts; how products such as Remy’s strange chest of drawers can be understood as not simply things that are made and then mediated, but as objects that exist in the operation of their mediation.",
keywords = "biography, furniture, historiography, mediation, mobility, Tejo Remy",
author = "Damon Taylor",
year = "2015",
month = "12",
day = "18",
doi = "10.1093/jdh/epv047",
language = "English",
volume = "29",
pages = "245--257",
journal = "Journal of Design History",
issn = "0952-4649",
number = "3",

}

Laying Down Memories: The Cultural Mobility of Tejo Remy’s Chest of Drawers. / Taylor, Damon.

In: Journal of Design History, Vol. 29, No. 3, 18.12.2015, p. 245-257.

Research output: Contribution to journalArticle

TY - JOUR

T1 - Laying Down Memories: The Cultural Mobility of Tejo Remy’s Chest of Drawers

AU - Taylor, Damon

PY - 2015/12/18

Y1 - 2015/12/18

N2 - This article examines Tejo Remy’s 1991 chest of drawers, You Can’t Lay Down Your Memory , as a ‘cultural event’, a definitively mobile object, which must be understood as being constituted not as any given iteration of its multiple nature, but in the intersection of these multiplicities as it moves in the flows of culture. Consequently the discussion is centred upon a partial biography of Remy’s piece that traces some examples of its incarnations: as a student project; as a part of the Droog collection; as an exemplar of the ‘Dutch inflection’ in design; and as a decoration for a casino in Las Vegas. In this way the intention is to demonstrate how culture is now defined by the mobilities of its parts; how products such as Remy’s strange chest of drawers can be understood as not simply things that are made and then mediated, but as objects that exist in the operation of their mediation.

AB - This article examines Tejo Remy’s 1991 chest of drawers, You Can’t Lay Down Your Memory , as a ‘cultural event’, a definitively mobile object, which must be understood as being constituted not as any given iteration of its multiple nature, but in the intersection of these multiplicities as it moves in the flows of culture. Consequently the discussion is centred upon a partial biography of Remy’s piece that traces some examples of its incarnations: as a student project; as a part of the Droog collection; as an exemplar of the ‘Dutch inflection’ in design; and as a decoration for a casino in Las Vegas. In this way the intention is to demonstrate how culture is now defined by the mobilities of its parts; how products such as Remy’s strange chest of drawers can be understood as not simply things that are made and then mediated, but as objects that exist in the operation of their mediation.

KW - biography

KW - furniture

KW - historiography

KW - mediation

KW - mobility

KW - Tejo Remy

U2 - 10.1093/jdh/epv047

DO - 10.1093/jdh/epv047

M3 - Article

VL - 29

SP - 245

EP - 257

JO - Journal of Design History

JF - Journal of Design History

SN - 0952-4649

IS - 3

ER -