Cinderella – the Ultimate Domestic Narrative

Research output: Contribution to conferencePaper

Abstract

The Cinderella story has it all; birth, death, jealous siblings, wicked stepmothers, Prince Charming, a ‘fairy tale ending’, and the curse of women the world over - domestic drudgery. Subversively the main messages in this tale are pretty clear: don’t trust your stepfamily, you apparently need a man to be truly fulfilled, and crucially, hard work without complaint makes for a good girl. And this is my point: female domesticity is at the heart of the Cinderella tale, completed with a smile because no-ones likes sulking and a woman’s work is never done.

Fairy tales were originally told to women, by women, often while they worked. The original Old Wives Tale. They provided a narrative means of making sense of the world around them and reflected the moral codes and social expectations of the day. Marina Warner writes: ‘the matter of fairy tale reflects… lived experience, with a slant towards the tribulations of women…’ [These stories are] ‘an historical source, or a fantasy of origin [that] gains credibility as a witness record of lives lived, of characters known’ (Warner xix).

The myth of happy domesticity still persists; according to social standards presented by popular media culture a woman’s fairy tale dreams of happy ever after are no less relevant today. Let us all be like Cinderella, never complaining and ever happy with a broom in our hand! Yes, the tale saves her from the wicked stepmother and her kin, but why give up on all that domestic bliss? This idea was embraced by the advertising industry back in the 1950’s when post-war policies encouraged women back into the home, but it is still very much in evidence today. Modern women are seen daily, happily dancing across our TV screens with mop in hand around a sparkling kitchen floor – what better way to sell the domestic dream than through the oldest tales of all?
Original languageEnglish
Publication statusPublished - Jun 2017
EventAll About Cinderella: retellings in the cultural imagination. University of Bedfordshire - University of Bedfordshire , Luton, United Kingdom
Duration: 9 Jun 201710 Jun 2017

Conference

ConferenceAll About Cinderella: retellings in the cultural imagination. University of Bedfordshire
CountryUnited Kingdom
CityLuton
Period9/06/1710/06/17

Fingerprint

Cinderella
Fairytales
Domesticity
Media Culture
Lived Experience
Stepfamilies
Fantasy
Sensemaking
Complaining
Complaints
Witness
1950s
Industry
Wives
Credibility
Dancing
Siblings
Women's Work
Kitchen
Curse

Cite this

Marr, V. (2017). Cinderella – the Ultimate Domestic Narrative. Paper presented at All About Cinderella: retellings in the cultural imagination. University of Bedfordshire, Luton, United Kingdom.
Marr, Vanessa. / Cinderella – the Ultimate Domestic Narrative. Paper presented at All About Cinderella: retellings in the cultural imagination. University of Bedfordshire, Luton, United Kingdom.
@conference{f0fbb39c56474dbcb6121e5ec2bdcd37,
title = "Cinderella – the Ultimate Domestic Narrative",
abstract = "The Cinderella story has it all; birth, death, jealous siblings, wicked stepmothers, Prince Charming, a ‘fairy tale ending’, and the curse of women the world over - domestic drudgery. Subversively the main messages in this tale are pretty clear: don’t trust your stepfamily, you apparently need a man to be truly fulfilled, and crucially, hard work without complaint makes for a good girl. And this is my point: female domesticity is at the heart of the Cinderella tale, completed with a smile because no-ones likes sulking and a woman’s work is never done. Fairy tales were originally told to women, by women, often while they worked. The original Old Wives Tale. They provided a narrative means of making sense of the world around them and reflected the moral codes and social expectations of the day. Marina Warner writes: ‘the matter of fairy tale reflects… lived experience, with a slant towards the tribulations of women…’ [These stories are] ‘an historical source, or a fantasy of origin [that] gains credibility as a witness record of lives lived, of characters known’ (Warner xix).The myth of happy domesticity still persists; according to social standards presented by popular media culture a woman’s fairy tale dreams of happy ever after are no less relevant today. Let us all be like Cinderella, never complaining and ever happy with a broom in our hand! Yes, the tale saves her from the wicked stepmother and her kin, but why give up on all that domestic bliss? This idea was embraced by the advertising industry back in the 1950’s when post-war policies encouraged women back into the home, but it is still very much in evidence today. Modern women are seen daily, happily dancing across our TV screens with mop in hand around a sparkling kitchen floor – what better way to sell the domestic dream than through the oldest tales of all?",
author = "Vanessa Marr",
year = "2017",
month = "6",
language = "English",
note = "All About Cinderella: retellings in the cultural imagination. University of Bedfordshire ; Conference date: 09-06-2017 Through 10-06-2017",

}

Marr, V 2017, 'Cinderella – the Ultimate Domestic Narrative' Paper presented at All About Cinderella: retellings in the cultural imagination. University of Bedfordshire, Luton, United Kingdom, 9/06/17 - 10/06/17, .

Cinderella – the Ultimate Domestic Narrative. / Marr, Vanessa.

2017. Paper presented at All About Cinderella: retellings in the cultural imagination. University of Bedfordshire, Luton, United Kingdom.

Research output: Contribution to conferencePaper

TY - CONF

T1 - Cinderella – the Ultimate Domestic Narrative

AU - Marr, Vanessa

PY - 2017/6

Y1 - 2017/6

N2 - The Cinderella story has it all; birth, death, jealous siblings, wicked stepmothers, Prince Charming, a ‘fairy tale ending’, and the curse of women the world over - domestic drudgery. Subversively the main messages in this tale are pretty clear: don’t trust your stepfamily, you apparently need a man to be truly fulfilled, and crucially, hard work without complaint makes for a good girl. And this is my point: female domesticity is at the heart of the Cinderella tale, completed with a smile because no-ones likes sulking and a woman’s work is never done. Fairy tales were originally told to women, by women, often while they worked. The original Old Wives Tale. They provided a narrative means of making sense of the world around them and reflected the moral codes and social expectations of the day. Marina Warner writes: ‘the matter of fairy tale reflects… lived experience, with a slant towards the tribulations of women…’ [These stories are] ‘an historical source, or a fantasy of origin [that] gains credibility as a witness record of lives lived, of characters known’ (Warner xix).The myth of happy domesticity still persists; according to social standards presented by popular media culture a woman’s fairy tale dreams of happy ever after are no less relevant today. Let us all be like Cinderella, never complaining and ever happy with a broom in our hand! Yes, the tale saves her from the wicked stepmother and her kin, but why give up on all that domestic bliss? This idea was embraced by the advertising industry back in the 1950’s when post-war policies encouraged women back into the home, but it is still very much in evidence today. Modern women are seen daily, happily dancing across our TV screens with mop in hand around a sparkling kitchen floor – what better way to sell the domestic dream than through the oldest tales of all?

AB - The Cinderella story has it all; birth, death, jealous siblings, wicked stepmothers, Prince Charming, a ‘fairy tale ending’, and the curse of women the world over - domestic drudgery. Subversively the main messages in this tale are pretty clear: don’t trust your stepfamily, you apparently need a man to be truly fulfilled, and crucially, hard work without complaint makes for a good girl. And this is my point: female domesticity is at the heart of the Cinderella tale, completed with a smile because no-ones likes sulking and a woman’s work is never done. Fairy tales were originally told to women, by women, often while they worked. The original Old Wives Tale. They provided a narrative means of making sense of the world around them and reflected the moral codes and social expectations of the day. Marina Warner writes: ‘the matter of fairy tale reflects… lived experience, with a slant towards the tribulations of women…’ [These stories are] ‘an historical source, or a fantasy of origin [that] gains credibility as a witness record of lives lived, of characters known’ (Warner xix).The myth of happy domesticity still persists; according to social standards presented by popular media culture a woman’s fairy tale dreams of happy ever after are no less relevant today. Let us all be like Cinderella, never complaining and ever happy with a broom in our hand! Yes, the tale saves her from the wicked stepmother and her kin, but why give up on all that domestic bliss? This idea was embraced by the advertising industry back in the 1950’s when post-war policies encouraged women back into the home, but it is still very much in evidence today. Modern women are seen daily, happily dancing across our TV screens with mop in hand around a sparkling kitchen floor – what better way to sell the domestic dream than through the oldest tales of all?

M3 - Paper

ER -

Marr V. Cinderella – the Ultimate Domestic Narrative. 2017. Paper presented at All About Cinderella: retellings in the cultural imagination. University of Bedfordshire, Luton, United Kingdom.