This paper introduces live coding as a new path in the evolution of the musical score. Whilst being the perfect vehicle for the performance of algorithmic music, it also trans forms the compositional process itself into a live event, where play and generativity be come essential. Live coding is presented as a highly technologized artistic practice, often embracing graphical elements and language syntaxes foreign to standard programming languages.
|Title of host publication||Proceedings of ISEA|
|Publication status||Published - 2011|
|Event||Proceedings of ISEA - Istanbul, 14 - 21 September, 2011|
Duration: 1 Jan 2011 → …
|Conference||Proceedings of ISEA|
|Period||1/01/11 → …|