Abstract
This paper introduces live coding as a new path in the evolution of the musical score. Whilst being the perfect vehicle for the performance of algorithmic music, it also trans forms the compositional process itself into a live event, where play and generativity be come essential. Live coding is presented as a highly technologized artistic practice, often embracing graphical elements and language syntaxes foreign to standard programming languages.
| Original language | English |
|---|---|
| Title of host publication | Proceedings of ISEA |
| Publisher | ISEA |
| Publication status | Published - 2011 |
| Event | Proceedings of ISEA - Istanbul, 14 - 21 September, 2011 Duration: 1 Jan 2011 → … |
Conference
| Conference | Proceedings of ISEA |
|---|---|
| Period | 1/01/11 → … |