Paul Sermon’s participatory interactive media art installations

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Abstract

This article presents Paul Sermon’s unique contribution to the field of media art through his participatory interactive media art installations since the early 1990s, charting a phenomenological exploration of agency through his artworks that include ‘There’s no simulation like home’ (1999), ‘All the World’s a Screen’ (2011), ‘Occupy the Screen’ (2014), and ‘Peoples Screen’ (2015).
Original languageEnglish
Title of host publicationArts, réseau, société'
Place of PublicationParis
Publication statusAccepted/In press - 10 Mar 2024

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