Empathy and presence in telematic art practice, from the gallery to the street

This article presents Paul Sermon’s unique contribution to the field of media art through his participatory interactive media art installations since the early 1990s, charting a phenomenological exploration of agency through his artworks that include ‘There’s no simulation like home’ (1999), ‘All the World’s a Screen’ (2011), ‘Occupy the Screen’ (2014), and ‘Peoples Screen’ (2015).