In defence of reading trash

feminists reading the romance

Research output: Contribution to journalArticleResearchpeer-review

Abstract

In Cultural Populism, McGuigan argues that in British cultural studies ‘there is populist sentiment, but hardly any ‘sentimentality’ is discernible ’ (McGuigan, p. 13). I want to argue that there was then, and there remains, an arena of British cultural studies that has always been concerned with ‘sentimentality ’ – and that is the romance narrativeTo pay serious attention to popular forms is not necessarily to celebrate them or to, as McGuigan suggests, witheringly, to ‘affect a disingenuous solidarity with ordinary people and their preferences’ (McGuigan, p. 77). While, as Fay Weldon advocated, ‘knowing popular fictions for what they are’ is a necessary strategy, it is important to ignore her advice and to take them seriously. These texts articulate significant discourses, they make widespread anxieties and aspirations visible, and cultural critics need to pay close attention to what they have to tell us.
Original languageEnglish
JournalEuropean Journal of Cultural Studies
Publication statusAccepted/In press - 15 Mar 2019

Fingerprint

Sentimentality
British Cultural Studies
Romance
Discourse
Populist
Solidarity
Popular Fiction
Cultural Critics
Anxiety
Aspiration
Sentiment
Visible
Populism

Keywords

  • romance fiction
  • feminism
  • Birmingham Centre for cultural Studies

Cite this

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title = "In defence of reading trash: feminists reading the romance",
abstract = "In Cultural Populism, McGuigan argues that in British cultural studies ‘there is populist sentiment, but hardly any ‘sentimentality’ is discernible ’ (McGuigan, p. 13). I want to argue that there was then, and there remains, an arena of British cultural studies that has always been concerned with ‘sentimentality ’ – and that is the romance narrativeTo pay serious attention to popular forms is not necessarily to celebrate them or to, as McGuigan suggests, witheringly, to ‘affect a disingenuous solidarity with ordinary people and their preferences’ (McGuigan, p. 77). While, as Fay Weldon advocated, ‘knowing popular fictions for what they are’ is a necessary strategy, it is important to ignore her advice and to take them seriously. These texts articulate significant discourses, they make widespread anxieties and aspirations visible, and cultural critics need to pay close attention to what they have to tell us.",
keywords = "romance fiction, feminism, Birmingham Centre for cultural Studies",
author = "Deborah Philips",
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In defence of reading trash : feminists reading the romance. / Philips, Deborah.

In: European Journal of Cultural Studies, 15.03.2019.

Research output: Contribution to journalArticleResearchpeer-review

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AB - In Cultural Populism, McGuigan argues that in British cultural studies ‘there is populist sentiment, but hardly any ‘sentimentality’ is discernible ’ (McGuigan, p. 13). I want to argue that there was then, and there remains, an arena of British cultural studies that has always been concerned with ‘sentimentality ’ – and that is the romance narrativeTo pay serious attention to popular forms is not necessarily to celebrate them or to, as McGuigan suggests, witheringly, to ‘affect a disingenuous solidarity with ordinary people and their preferences’ (McGuigan, p. 77). While, as Fay Weldon advocated, ‘knowing popular fictions for what they are’ is a necessary strategy, it is important to ignore her advice and to take them seriously. These texts articulate significant discourses, they make widespread anxieties and aspirations visible, and cultural critics need to pay close attention to what they have to tell us.

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