Shakespeare's opening scenes are often overlooked as explicit dramturgical entrances into play and drama: this keynote lecture argues that Shakespeare experiments and perfects the art of the opening scene as a specific political project in the latter part of his career (1606-13).
|Place of Publication||Rose Theatre, Kingston|
|Publication status||Published - 2 Apr 2016|
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- School of Humanities - Principal Lecturer
- Centre for Arts and Wellbeing
- Performance and Communities Research and Enterprise Group