24 Hours in Police Custody

Research output: Non-textual outputExhibitionResearch

Abstract

Artwork that belongs with a body of work that examines how second-hand imagery functions and how we value originals and replicas. Because, nowadays, it is a common occurrence for a copy to seen as equal to an original - in terms of favour and any false assumptions regarding perfection - I wanted to examine this notion. So, I set out to construct work that asks us to appreciate impaired or defective images.
Original languageEnglish
Publication statusPublished - 2019
EventConstruct: New Work by the 62 group of Textile Artists - Sunny Bank Mills Gallery, Unit 14, Sandsgate Building, 82-85 Town Street, Farsley, Pudsey, West Yorkshire, LS28 5UJ, Pudsey, United Kingdom
Duration: 20 Jul 201915 Sep 2019

Fingerprint

Police
Artwork
Perfection
Imagery

Keywords

  • embroidery
  • textile art
  • practice based research
  • Art Practice
  • stitching
  • kantha

Cite this

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title = "24 Hours in Police Custody",
abstract = "Artwork that belongs with a body of work that examines how second-hand imagery functions and how we value originals and replicas. Because, nowadays, it is a common occurrence for a copy to seen as equal to an original - in terms of favour and any false assumptions regarding perfection - I wanted to examine this notion. So, I set out to construct work that asks us to appreciate impaired or defective images.",
keywords = "embroidery, textile art, practice based research, Art Practice, stitching, kantha",
author = "Gavin Fry",
year = "2019",
language = "English",

}

24 Hours in Police Custody. Fry, Gavin (Author/Creator). 2019. Event: Construct, Sunny Bank Mills Gallery, Unit 14, Sandsgate Building, 82-85 Town Street, Farsley, Pudsey, West Yorkshire, LS28 5UJ, Pudsey, United Kingdom.

Research output: Non-textual outputExhibitionResearch

TY - ADVS

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AB - Artwork that belongs with a body of work that examines how second-hand imagery functions and how we value originals and replicas. Because, nowadays, it is a common occurrence for a copy to seen as equal to an original - in terms of favour and any false assumptions regarding perfection - I wanted to examine this notion. So, I set out to construct work that asks us to appreciate impaired or defective images.

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KW - textile art

KW - practice based research

KW - Art Practice

KW - stitching

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M3 - Exhibition

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