Harriet Atkinson

Dr Harriet Atkinson is a historian of design and culture with particular interest in the uses of design for propaganda, nation-building, diplomacy or resistance, from the 1930s to the present day. From February 2019 to January 2023 Harriet is AHRC Leadership Fellow and Principal Investigator on the project '"The Materialisation of Persuasion": Modernist Exhibitions in Britain for Propaganda and Resistance, 1933 to 1953'. This builds on her recent University of Brighton Rising Stars Award (2017-18), for a project entitled 'Information, Persuasion, Citizenship: Public Exhibitions 1914 to now'. 

Harriet is currently co-editing a 15 essay collection entitled Exhibitions and Transnational Exchange: Art and Design, Borders and Boundaries from 1945 for Bloomsbury Academic (forthcoming, 2020) and preparing a monograph entitled The Materialisation of Persuasion. This research will also result in a documentary film made in collaboration with filmmakers Four Corners (for launch in 2022). While a Faculty Fellow based in the University of Brighton Design Archives from 2010 to 2013, Harriet wrote a number of essays, reviews and her first monograph The Festival of Britain: A Land and its People (I.B. Tauris, 2012). Harriet was awarded her doctorate from the Royal College of Art and Victoria & Albert Museum's joint history of design programme in 2007. She studied for a BA (Hons) in English and Related Literature with History of Art at University of York and for her MA in Art Museum Studies at the Courtauld Institute, University of London. She is an elected Fellow of the Royal Historical Society. 

Harriet has previously held research awards from the AHRC (Doctoral Award), British Academy (Small Grant) and Wingate Foundation (Wingate Scholarship). She is a member of the Management Board of University of Brighton's Centre for Design History and since 2015 she has been Trustee and Research Grants Officer of the Design History Society. 

Harriet is on the Advisory Board for the Bloomsbury Design Library. She regularly undertakes peer reviews: for journals + publishers including Journal of Design History, The Sculpture Journal, Literature & History, Critical Studies, Contemporary British History and Bloomsbury Academic, Berg, Palgrave Macmillan, Manchester University Press; for academic conferences including DHS, International Conferences on Design History and Studies (ICDHS), Design Research Society (DRS), International Association of Societies of Design Research (IASDR); for academic grant applications + awards including Carnegie Trust for the Universities of Scotland and the Icelandic Research Fund. 

Harriet teaches across all years and pathways of the BA (Hons) History of Art & Design (History of Art & Design; Visual Culture; Fashion & Dress History; Philosophy Politics Art); as well as Critical & Cultural Studies to BA (Hons) Graphic Design and BA (Hons) Illustration.

Before studying for a PhD Harriet worked in cultural policy and funding for various organisations including as Policy Adviser at Department for Culture Media & Sport, Grants Officer at Heritage Lottery Fund and Culture and Regeneration Manager at Association of London Government.

Harriet is interested in supervising PhDs on the history of visual communication for propaganda or protest; government engagements with design, design politics and policy; design as the focus for diplomatic exchange or displays of 'soft power'; relationships between design history and design practice; and the design of exhibitions and displays, particularly beyond museums and galleries.