The hybrid nature of realism in the Aardman studio’s early animated shorts

  • Fatemeh Hosseini-Shakib

Student thesis: Doctoral Thesis

Abstract

This study investigates the complex operation of realism in the representational make-up of animated films of the Aardman studio. It focuses on ten early films made in a three-dimensional clay/puppet medium. All the films are based on ‘real’ soundtracks, gathered via secretly recorded conversations of ordinary people in everyday situations or by direct interview. The key argument is that these stop-motion films show a hybrid composition of realist strategies and approaches, in terms of their adaptation of realist aesthetics as well as their subject matter. It is argued that their aesthetic make-up is associated with, or copied, from certain modes of live-action documentary film such as observational style and interviews. The thesis contends that realism in these films is of a complex nature. It studies and illustrates different aspects of realism in the corpus, with particular emphasis on three films chosen for specific case study.
Date of AwardFeb 2009
LanguageEnglish
Awarding Institution
  • University of Brighton

Cite this

The hybrid nature of realism in the Aardman studio’s early animated shorts
Hosseini-Shakib, F. (Author). Feb 2009

Student thesis: Doctoral Thesis