AbstractThe introduction aims to investigate both the writer's painting and exhibition practice, and the historical and theoretical issues raised by them. It also examines different views on nature by comparing and contrasting 20th century western ideas with those of traditional asian art and philosophies. There are two sections to this thesis; Section A contains an historical overview of Eastern and Western philosophy and art, Section B presents observations on studio and exhibition practice.
|Date of Award||Apr 2009|
East asian and western perception of nature in 20th century painting
Park, S. (Author). Apr 2009
Student thesis: Doctoral Thesis