This thesis aimed to understand the relationship between the Apple brand and Apple
consumers. It presents an historical semiotic analysis of a selection of the Apple brand
from 1978 to 2009 and in-depth interviews with Apple consumers. The interviews
were then analysed thematically, looking at the ways participants employed Apple in
the construction of identity. The thesis extends theoretical critical approaches to
branding with the inclusion of participant interviews. Approaches to branding
consider the role of consumers in brand production and ownership, but this thesis
moves focus beyond abstraction to interrogate how much of consumer participation is
predetermined by the brand. This was achieved by actually examining the ways in
which brand consumers articulate the brand. In doing so findings showed that Apple
consumers distinguish themselves from non-Apple consumers, but significantly they
made a second distinction. For the first distinction, Apple consumers articulated
emotional investment, superior aesthetic taste, and feelings of being part of an
exclusive community. The second distinction is an articulation of uniqueness within
the Apple community. This is achieved through creating a sense of critical distance
from consumption via individual lifestyle and taste.
Date of Award | 1 Mar 2013 |
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Original language | English |
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Awarding Institution | |
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‘Double distinction’: an analysis of consumer participation in Apple branding
Peacock, C. (Author). 1 Mar 2013
Student thesis: Doctoral Thesis