This thesis explores the interface between biennials of art and public policy,
primarily within the UK but informed by comparison with biennials of art in
other countries, notably the Istanbul Biennial. It examines whether and in
what ways public policy has been help or hindrance to two major biennial
events in the UK – the Liverpool Biennial and the Folkestone Triennial - and
positions this question within the international trend towards neo-liberal
economic development. By situating the biennials within this broader
perspective, I examine the question of whether biennials are expressions of
policies that conform to neo-liberal agendas, or are able to function, within
their limited sphere of influence and in particular circumstances, as a form of
resistance and what this might mean. This research questions the dominant
rhetoric of biennials of art as catalysts for regeneration using the Liverpool
Biennial as a case study, complemented by exploration of the Folkestone
Triennial and the Istanbul Biennial. It suggests that their influence is more
symbolic than quantifiable, and sometimes perceived rather than actual. It
argues that the literature does not take sufficient account of the
competencies, experience and professionalism of high-level arts managers
who work to deliver these large-scale events. The actuality demonstrates
that the relationship between policy and arts delivery is essentially functional
and perceived to be mutually beneficial. Drawing a contrast with the
situation in Istanbul, it is clear that a healthy arts ecology needs public policy
and finance to support it. Further, that without the constraints and
motivations that public policy brings, there is no obligation for the arts, in
production or presentation, to have any relevance or benefit to a wider
public. Overall, this thesis suggests that the existence of UK cultural policy
and other public policy agendas, allied to significant public funding, may
allow biennial of art events to resist, within their limited sphere of influence,
the trend towards economic neo-liberalism; even while being partially
implicated within those policies.
Date of Award | Jan 2015 |
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Original language | English |
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Awarding Institution | |
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Destination Biennale: an examination of the interface between biennials of art and public policy within a neo-liberal context
Louise, D. (Author). Jan 2015
Student thesis: Master's Thesis