This research presents a critique of a craft development project carried out
over a period of four years, where the nature of designer interventions in
African craft projects is analysed and questions are raised that challenge the
desirability and efficacy of such projects. This study is developed from the
perspective of a professional designer rather than that of a professional
development worker. Following this particular project over a continuous time
period offers a specific and unique context in which to examine key and
central issues: the design of such products by western designers for global
markets, the consumption of ‘ethnic’ products in global markets, (including
historical perspectives,) issues of authenticity, post-colonialism, and eurocentric
connoisseurship.
Date of Award | 2012 |
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Original language | English |
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Awarding Institution | |
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A handmade future: the impact of design on the production and consumption of contemporary West African craft as a tool for sustainable development
Ladd, K. (Author). 2012
Student thesis: Doctoral Thesis