Work featured in Re: print

Research output: Chapter in Book/Conference proceeding with ISSN or ISBNChapter

Abstract

RE:PRINT edited by Véronique Chance and Duncan Ganley, brings together the work of twenty contemporary artists working in the field of expanded printmaking, to explore the relationship between print media, interdisciplinary art and new technologies. A hybrid of art object, book, physical and electronic form, RE:PRINT addresses concerns of reproducibility, technical developments and inter-medial approaches in contemporary art. Through an interplay of image and text from a diverse range of practitioners, RE:PRINT critically rethinks the notion of ‘print’ as both artwork and published multiple and debates what is print in the twenty first century. RE:PRINT includes work by: Jo Stockham, Jo Love, Steve Lovett, Rob Smith, Asim, Véronique Chance, Susana Gómez Larrañaga, Kelcy Davenport, Nerma Cridge, Fay Hoolahan, Richard Kearns, Annis Fitzhugh, James
Original languageEnglish
Title of host publicationRe: print
Place of PublicationLondon
PublisherMarmalade Publishers of Visual Theory
Pages36-41
Number of pages6
ISBN (Print)9780993337321
Publication statusPublished - 1 Jan 2018

Keywords

  • Printmaking
  • Hybrid printmaking
  • drawing
  • digital print
  • landscape
  • materiality
  • time

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  • Profiles

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    Jo Love

    Person: Academic

    Cite this

    Love, J. (2018). Work featured in Re: print. In Re: print (pp. 36-41). Marmalade Publishers of Visual Theory.