Abstract
During the build-up to the Secret Cinema Presents... Back to the
Future event, a compelling conflict played out on social media between the creators and the audience. In this article we retell the story of how that drama unfolded in the lead-up to the opening night of the event, and how the surrounding social media communications became a site of audience engagement and participation. We also outline the way in which these channels made visible a proliferation of divergent fan and anti-fan practices and contested viewing pleasures.
Original language | English |
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Pages (from-to) | 1-24 |
Number of pages | 24 |
Journal | Frames Cinema Journal |
Volume | 8 |
Publication status | Published - 1 Dec 2015 |
Bibliographical note
© 2015 the authorsKeywords
- cinema
- participation
- live cinema
- audience
- play
- film
- fan studies