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Whatever Was Splendid: New American Photographs
Aaron Schuman
University of Brighton
Research output
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Non-textual output
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Keyphrases
20th Century
50%
American Civilization
50%
American Photography
50%
Barbershops
50%
Billboard
50%
Burrow
100%
Clapboard
50%
Cultural Climate
50%
Cultural Experience
50%
Economic Climate
50%
Ghetto
50%
Graffiti
50%
Grandeur
50%
Great Depression
50%
Gunshot
50%
Hammer
50%
Ingenuity
50%
Insanity
50%
Landscape Character
50%
Lincoln Kirstein
50%
Main Streets
50%
Movie Poster
50%
New Americans
100%
Own Time
50%
Photographer
50%
Photographic Method
100%
Placards
50%
Playbill
50%
Political Environment
50%
Refugees
50%
Selfishness
50%
Shack
50%
Social Climate
50%
Social Culture
50%
Soldiers
50%
Statues
50%
Storefront
50%
Survivors
100%
United States
100%
Urban Street
50%
Visual Vocabulary
50%
Walker Evans
100%
Arts and Humanities
American Civilization
50%
Army
50%
Artists
50%
Beautiful
50%
billboards
50%
Civics
50%
clues
50%
Conspirators
50%
Contemporary
100%
Crowds
50%
Deity
50%
Façade
50%
Framework
50%
grandeur
50%
Ingenuity
50%
Legacy
50%
Literal
50%
Loving
50%
Manifestation
50%
movie posters
50%
Multiplicity
50%
Photographic Practice
100%
Playbill
50%
plea
50%
political climate
50%
Practitioners
50%
Racial Segregation
50%
Relics
50%
Resemblance
50%
Ruin
50%
Statue
50%
Survivors
100%
Tradition
50%
Twentieth Century
50%
Uncanny
50%
Walker Evans
100%
Waste
100%
Psychology
Multiplicity
100%
Practitioners
100%
Agricultural and Biological Sciences
Americans
100%