This Virtual Special Issue includes twelve articles, published in the Journal of Design History between 1988 to 2020, that focus on typographic histories. The selected articles address different aspects of the subject, going from designing letterforms and manufacturing typefaces to putting those letterforms to use — through typesetting and letterpress printing, typewriting, collage, lithography and photocopying. To provide a context for this selection of articles, this Introduction begins by characterising the place of typographic histories within the Journal of Design History and the broader field of Design History. It then considers the available methods, models and approaches that offer the framework for understanding and interpreting typographic practices and objects. In recognition that the historiography of typography has a trajectory that predates Design History by many years, reference is made to other disciplines that have contributed to this longer history. A brief overview is then given of the various kinds of archives and collections where the materials, methods and objects of typography are held and can be studied. The Introduction concludes by detailing the contribution of the selected articles, grouping them and drawing out themes that become apparent by placing them together. Finally, the article offers suggestions for future research and scholarship.
Bibliographical noteThis is a pre-copyedited, author-produced version of an article accepted for publication in Journal of Design History following peer review. The version of record Priscila L Farias, Jeremy Aynsley, Typographic Histories: Three Decades of Research, Journal of Design History, 2021;, epab030, is available online at: https://doi.org/10.1093/jdh/epab030.
- Graphic Design History