Synthesising the work of Jacques Derrida with that of Dominick LaCapra, Dan Diner and others, this essay explores how W. G. Sebald’s Austerlitz conjures up a post-war Europe constituted of continuous conflict and dispossession, and argues that mourning becomes the lingua franca of the post-war European novel. Further, Koulouris shows how Sebald’s seminal text provides a rich constellation of insights into the ways we conceptualise Europe as a site of common aspirations and conflicting national and financial interests; in Austerlitz, Koulouris argues, Sebald establishes that if there is such a thing as a common European heritage then it is one consummated not only in actual trauma, of which we can barely think let alone textually represent, but also in the trauma of ‘impossible mourning’.
|Title of host publication||The Novel and Europe: imagining the continent in post-1945 fiction|
|Place of Publication||London|
|Number of pages||18|
|Publication status||Published - 24 Sept 2016|
|Name||Palgrave Studies in Modern European Literature|
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