The Significance of Phase as an Auditory Cue

Koray Ozcan, Simon Busbridge, Peter A. Fryer, Gary Geaves, Jon Moore

Research output: Chapter in Book/Conference proceeding with ISSN or ISBNConference contribution with ISSN or ISBN

Abstract

An advance on the auralisation results previously presented for interaural time and intensity conflict cue experiments is reported by the inclusion of phase for multiple frequency tone bursts and wideband signals. A method is presented to manipulate the phase of all the component frequencies in a wideband signal whilst leaving the amplitude structure unchanged through the use of the Hilbert transform. Therefore phase and time become distinguishable from each other for such signals. The results indicate that localisation remains strong in the presence of large phase shifts. Furthermore the central diffuse field that is characteristic of intensity versus interaural time conflict experiments is absent when the intensity and phase of wideband signals are placed in conflict
Original languageEnglish
Title of host publicationProceedings of the 114th AES Convention
Place of PublicationAmsterdam
Pages0-0
Number of pages1
Publication statusPublished - 1 Mar 2003
EventProceedings of the 114th AES Convention - RAI Conference Centre, Amsterdam, March 2003
Duration: 1 Mar 2003 → …

Conference

ConferenceProceedings of the 114th AES Convention
Period1/03/03 → …

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    Ozcan, K., Busbridge, S., Fryer, P. A., Geaves, G., & Moore, J. (2003). The Significance of Phase as an Auditory Cue. In Proceedings of the 114th AES Convention (pp. 0-0). http://www.aes.org/e-lib/browse.cfm?elib=12508