The politics of discourse in hybrid art forms

Claudia Kappenberg

The politics of discourse in hybrid art forms

Claudia Kappenberg

University of Brighton

Research output: Chapter in Book/Conference proceeding with ISSN or ISBN › Chapter › peer-review

Abstract

This essay was originally presented at the Symposio Pensar la Videodanza III, Instituto Universitario Nacional del Arte, Buenos Aires, Argentina, 22nd - 25th November 2011 and is concerned with the attempts of hybrid art practices to establish an identity as distinct art forms whilst also crossing boundaries in the process of innovation and exploration. The essay draws on the discourse and politics around Expanded Cinema from the 60s and 70s and argues that there are parallels with the contemporary field of Screendance.

Original language	English
Title of host publication	Art in Motion: Current Research in Screendance
Editors	Franck Boulègue, Marisa C. Hayes
Place of Publication	Cambridge
Publisher	University of Wisconsin Digital Collections Center
Pages	21-29
Number of pages	9
ISBN (Print)	9781443871266
Publication status	Published - 1 Feb 2015

Bibliographical note

Keywords

Screendance
Discourse analysis
experimental film
hybrid practices
Film History

Access to Document

The Politics of discourse_KappenbergFinalJan2014 (1).pdfAccepted author manuscript, 221 KBLicence: Unspecified

http://www.cambridgescholars.com/art-in-motionLicence: Unspecified

Cite this

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The politics of discourse in hybrid art forms

Abstract

Bibliographical note

Keywords

Access to Document

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Cite this