The politics of discourse in hybrid art forms

Research output: Chapter in Book/Conference proceeding with ISSN or ISBNChapter

Abstract

This essay was originally presented at the Symposio Pensar la Videodanza III, Instituto Universitario Nacional del Arte, Buenos Aires, Argentina, 22nd - 25th November 2011 and is concerned with the attempts of hybrid art practices to establish an identity as distinct art forms whilst also crossing boundaries in the process of innovation and exploration. The essay draws on the discourse and politics around Expanded Cinema from the 60s and 70s and argues that there are parallels with the contemporary field of Screendance.
Original languageEnglish
Title of host publicationArt in Motion: Current Research in Screendance
EditorsFranck Boulègue, Marisa C. Hayes
Place of PublicationCambridge
PublisherUniversity of Wisconsin Digital Collections Center
Pages21-29
Number of pages9
ISBN (Print)9781443871266
Publication statusPublished - 1 Feb 2015

Bibliographical note

© Claudia Kappenberg

Keywords

  • Screendance
  • Discourse analysis
  • experimental film
  • hybrid practices
  • Film History

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    Kappenberg, C. (2015). The politics of discourse in hybrid art forms. In F. Boulègue, & M. C. Hayes (Eds.), Art in Motion: Current Research in Screendance (pp. 21-29). University of Wisconsin Digital Collections Center. http://www.cambridgescholars.com/art-in-motion