The Aesthetics of Global Protest: Visual Culture and Communication

Aidan McGarry (Editor), Itir Erhart (Editor), Hande Eslen-Ziya (Editor), Olu Jenzen (Editor), Umut Korkut (Editor)

Research output: Book/ReportBook - edited

Abstract

Protest movements are struggles to be seen and to be heard. In the last 60 years protest movements around the world have mobilized against injustices and inequalities to bring about substantial socio-cultural, political, and economic changes. Whilst familiar repertoires of action persist such as strikes, demonstrations, and occupations of public space, the landscape is very different from 60 years ago when the so-called ‘new social movements’ emerged. We need to take stock of the terrain of protest movements including dramatic developments in digital technologies and communication, the use of visual culture by protestors, the expression of democracy, as well as how and why resistance is enacted across material and digital spaces. This chapter introduces the volume and explains how aesthetics of protest are performative and communicative; constituting a movement through the performance of politics.
Original languageEnglish
PublisherAmsterdam University Press
Number of pages300
ISBN (Print)9789463724913
DOIs
Publication statusPublished - 9 Dec 2019

Fingerprint

protest movement
protest
aesthetics
Demonstrations
Economics
communication
Communication
sociocultural development
strike
political change
public space
economic change
Social Movements
occupation
democracy
politics
performance

Bibliographical note

Creative Commons License CC BY NC ND (http://creativecommons.org/licenses/by-nc-nd/3.0)
All authors / Amsterdam University Press B.V., Amsterdam 2020

Keywords

  • Aesthetics
  • global protest

Cite this

McGarry, A., Erhart, I., Eslen-Ziya, H., Jenzen, O., & Korkut, U. (Eds.) (2019). The Aesthetics of Global Protest: Visual Culture and Communication. Amsterdam University Press. https://doi.org/10.5117/9789463724913
McGarry, Aidan (Editor) ; Erhart, Itir (Editor) ; Eslen-Ziya, Hande (Editor) ; Jenzen, Olu (Editor) ; Korkut, Umut (Editor). / The Aesthetics of Global Protest : Visual Culture and Communication. Amsterdam University Press, 2019. 300 p.
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McGarry, A, Erhart, I, Eslen-Ziya, H, Jenzen, O & Korkut, U (eds) 2019, The Aesthetics of Global Protest: Visual Culture and Communication. Amsterdam University Press. https://doi.org/10.5117/9789463724913

The Aesthetics of Global Protest : Visual Culture and Communication. / McGarry, Aidan (Editor); Erhart, Itir (Editor); Eslen-Ziya, Hande (Editor); Jenzen, Olu (Editor); Korkut, Umut (Editor).

Amsterdam University Press, 2019. 300 p.

Research output: Book/ReportBook - edited

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N1 - Creative Commons License CC BY NC ND (http://creativecommons.org/licenses/by-nc-nd/3.0) All authors / Amsterdam University Press B.V., Amsterdam 2020

PY - 2019/12/9

Y1 - 2019/12/9

N2 - Protest movements are struggles to be seen and to be heard. In the last 60 years protest movements around the world have mobilized against injustices and inequalities to bring about substantial socio-cultural, political, and economic changes. Whilst familiar repertoires of action persist such as strikes, demonstrations, and occupations of public space, the landscape is very different from 60 years ago when the so-called ‘new social movements’ emerged. We need to take stock of the terrain of protest movements including dramatic developments in digital technologies and communication, the use of visual culture by protestors, the expression of democracy, as well as how and why resistance is enacted across material and digital spaces. This chapter introduces the volume and explains how aesthetics of protest are performative and communicative; constituting a movement through the performance of politics.

AB - Protest movements are struggles to be seen and to be heard. In the last 60 years protest movements around the world have mobilized against injustices and inequalities to bring about substantial socio-cultural, political, and economic changes. Whilst familiar repertoires of action persist such as strikes, demonstrations, and occupations of public space, the landscape is very different from 60 years ago when the so-called ‘new social movements’ emerged. We need to take stock of the terrain of protest movements including dramatic developments in digital technologies and communication, the use of visual culture by protestors, the expression of democracy, as well as how and why resistance is enacted across material and digital spaces. This chapter introduces the volume and explains how aesthetics of protest are performative and communicative; constituting a movement through the performance of politics.

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McGarry A, (ed.), Erhart I, (ed.), Eslen-Ziya H, (ed.), Jenzen O, (ed.), Korkut U, (ed.). The Aesthetics of Global Protest: Visual Culture and Communication. Amsterdam University Press, 2019. 300 p. https://doi.org/10.5117/9789463724913