Telematic Vision: For Art in Motion. 100 Masterpieces with and through Media. An Operative Canon

Research output: Non-textual outputExhibitionResearch

Abstract

"Art in Motion. 100 Masterpieces with and through Media. An Operative Canon" will portray the development of media arts by showcasing pivotal pioneering works that utilize technical devices: from photography to cinematography and sound art, the theater of machines and projections, radiophonic and televisual art, the art video, media-based action and Fluxus arts, and the networked and collaborative artistic practices of the last decades. Including:

Telematic Vision, by Paul Sermon

"(...) The television and sofa are caught up in an inseparable scenario. In Telematic Vision the sofa is the seat from which the spectacle of television is viewed and the spectacle that is viewed is the audience that sits on the sofa. Two identical blue sofas are located in dispersed remote locations. In front of each sofa stands a video monitor and camera. The video camera in each location sends a live video image (...) to the other location. The two images are mixed together, via a video effects generator, and displayed on the monitors in front of each sofa in both remote locations simultaneously. Two more video monitors, displaying the same image, are added to both locations, and stand one metre from the arms on both sides of each sofa. The theatre of the spectacle is complete. The viewers in both locations assume the function of the installation and sit down on the sofas to watch television. At this point they enter the telematic space, watching a live image of themselves sat on a sofa next to another person. They start to explore the space and understand they are now in complete physical control of a telepresent body that can interact with the other person. The more intimate and sophisticated the interaction becomes, the further the users enter into the telematic space. The division between the remote telepresent body and the actual physical body disappears, leaving only one body that exists in and between both locations. Assisted by the object of the sofa and the scenario of the television consciousness is extended and resides solely within the interaction of the user. Telematic Vision is a vacant space of potentiality, it is nothing without the presence of a viewer and the interactions of a user who create their own television program by becoming the voyeurs of their own spectacle."

The original concept and structure of Telematic Vision is an open framework, where the artwork itself emerges only through the participation of users and through their lived experience at a given moment in space and time. Bluntly put, the experience is the artwork. Therefore, sources representing such phenomenological information, whether textual, oral or visual, become the pivotal points of interest in finding a strategy to document an artwork with this type of structure. The case study has thus been designed as a multi-layered qualitative phenomenological research initiative into the field of aesthetic perception and embodied experience. The focus is on the assessment of the contextualised impact.
Original languageEnglish
Place of PublicationKarlsruhe, Germany
PublisherZKM | Center for Art and Media
Media of outputOnline
SizeTwo installations 6 x 6 metres
Publication statusPublished - 13 Jul 2018
EventArt in Motion. 100 Masterpieces with and through Media: An Operative Canon - ZKM | Center for Art and Media, Lorenzstraße 19, 76135 , Karlsruhe, Germany
Duration: 14 Jul 201810 Feb 2019
https://zkm.de/en/exhibition/2018/07/art-in-motion-100-masterpieces-with-and-through-media

Fingerprint

Art
Canon
Sofa
Spectacle
Monitor
Artwork
Interaction
Person
Scenarios
Viewer
Media Art
Aesthetics
Lived Experience
Photography
Sound Art
Fluxus
Embodied Experience
Potentiality
Television Programs
Video Art

Keywords

  • telematic
  • performance
  • network
  • interaction
  • telepresence
  • chroma-key

Cite this

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abstract = "{"}Art in Motion. 100 Masterpieces with and through Media. An Operative Canon{"} will portray the development of media arts by showcasing pivotal pioneering works that utilize technical devices: from photography to cinematography and sound art, the theater of machines and projections, radiophonic and televisual art, the art video, media-based action and Fluxus arts, and the networked and collaborative artistic practices of the last decades. Including:Telematic Vision, by Paul Sermon{"}(...) The television and sofa are caught up in an inseparable scenario. In Telematic Vision the sofa is the seat from which the spectacle of television is viewed and the spectacle that is viewed is the audience that sits on the sofa. Two identical blue sofas are located in dispersed remote locations. In front of each sofa stands a video monitor and camera. The video camera in each location sends a live video image (...) to the other location. The two images are mixed together, via a video effects generator, and displayed on the monitors in front of each sofa in both remote locations simultaneously. Two more video monitors, displaying the same image, are added to both locations, and stand one metre from the arms on both sides of each sofa. The theatre of the spectacle is complete. The viewers in both locations assume the function of the installation and sit down on the sofas to watch television. At this point they enter the telematic space, watching a live image of themselves sat on a sofa next to another person. They start to explore the space and understand they are now in complete physical control of a telepresent body that can interact with the other person. The more intimate and sophisticated the interaction becomes, the further the users enter into the telematic space. The division between the remote telepresent body and the actual physical body disappears, leaving only one body that exists in and between both locations. Assisted by the object of the sofa and the scenario of the television consciousness is extended and resides solely within the interaction of the user. Telematic Vision is a vacant space of potentiality, it is nothing without the presence of a viewer and the interactions of a user who create their own television program by becoming the voyeurs of their own spectacle.{"}The original concept and structure of Telematic Vision is an open framework, where the artwork itself emerges only through the participation of users and through their lived experience at a given moment in space and time. Bluntly put, the experience is the artwork. Therefore, sources representing such phenomenological information, whether textual, oral or visual, become the pivotal points of interest in finding a strategy to document an artwork with this type of structure. The case study has thus been designed as a multi-layered qualitative phenomenological research initiative into the field of aesthetic perception and embodied experience. The focus is on the assessment of the contextualised impact.",
keywords = "telematic, performance, network, interaction, telepresence, chroma-key",
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Sermon, P, Telematic Vision: For Art in Motion. 100 Masterpieces with and through Media. An Operative Canon, 2018, Exhibition, ZKM | Center for Art and Media, Karlsruhe, Germany.
Telematic Vision : For Art in Motion. 100 Masterpieces with and through Media. An Operative Canon. Sermon, Paul (Author/Creator). 2018. Karlsruhe, Germany : ZKM | Center for Art and MediaEvent: Art in Motion. 100 Masterpieces with and through Media, ZKM | Center for Art and Media, Lorenzstraße 19, 76135 , Karlsruhe, Germany.

Research output: Non-textual outputExhibitionResearch

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KW - chroma-key

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