Abstract
This article details the results of a research project searching for evidence of courtship in Brighton Museum's holdings of mainly topographical early twentieth-century postcards. Assembling a body of evidence that demonstrates Brighton as a historic location for romance and the postcard as a flirtatious form of communication, "Sweet Nothings" argues that while postcard inscriptions have been largely overlooked in academic literature, the coded and truncated messages intended to covertly express intimate exchanges in a public medium provide a suggestive means of understanding mass-produced postcards through their private singularization and use.
| Original language | English |
|---|---|
| Pages (from-to) | 77-88 |
| Number of pages | 12 |
| Journal | Photography and Culture |
| Volume | 2 |
| Issue number | 1 |
| DOIs | |
| Publication status | Published - 2009 |
Keywords
- Brighton
- postcards
- museums
- public
- private
- inscription
- romance
- flirtation