Somatic Aesthetics and aleatory painting practices

Tony Benn

Somatic Aesthetics and aleatory painting practices

Tony Benn

University of Brighton

Research output: Thesis › Doctoral Thesis

Abstract

This thesis is an investigation into artist strategies for rule testing and critical investigation within recent painting practices, primarily within ‘bad painting’ art practices where conscious decisions are made to paint badly.

Original language	English
Qualification	Master of Philosophy
Awarding Institution	University of Brighton
Publication status	Published - 2012

Bibliographical note

Copyright © and Moral Rights for this thesis are retained by the author and/or other
copyright owners.

Access to Document

A THESIS + NEW INTRO 2011_Redacted.pdfOther version, 568 KBLicence: Unspecified

Cite this

@phdthesis{65f11d5108da48d984cd0663bc085768,

title = "Somatic Aesthetics and aleatory painting practices",

abstract = "This thesis is an investigation into artist strategies for rule testing and critical investigation within recent painting practices, primarily within {\textquoteleft}bad painting{\textquoteright} art practices where conscious decisions are made to paint badly.",

author = "Tony Benn",

note = "Copyright {\textcopyright} and Moral Rights for this thesis are retained by the author and/or other copyright owners.",

year = "2012",

language = "English",

school = "University of Brighton",

}

TY - BOOK

T1 - Somatic Aesthetics and aleatory painting practices

AU - Benn, Tony

PY - 2012

Y1 - 2012

N2 - This thesis is an investigation into artist strategies for rule testing and critical investigation within recent painting practices, primarily within ‘bad painting’ art practices where conscious decisions are made to paint badly.

AB - This thesis is an investigation into artist strategies for rule testing and critical investigation within recent painting practices, primarily within ‘bad painting’ art practices where conscious decisions are made to paint badly.

M3 - Doctoral Thesis

ER -

Somatic Aesthetics and aleatory painting practices

Abstract

Bibliographical note

Access to Document

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Cite this