Sobre como emborrachar un ordenador

Thor Magnusson

Research output: Contribution to journalArticle

Abstract

From a certain perspective, the computer is the musical instrument and compositional tool par excellence. Finally, composers have the absolute control over the execution of their work they have dreamt about for centuries. Any imaginable sound can be created and controlled with the most minuscule details. Through Fourier's theories of harmonic analysis and synthesis, a sonic object can be designed with such detail in timbre that it would perfectly satisfy the imagination of Bacon and Varèse, leaving acoustic instrument makers in envy. Furthermore, due to the fast computing cycles of the central processing unit, musical events can be scheduled on the time scale of microseconds. Perfect timing is guaranteed, whether the tempo is 1000 beats per minute or 1 beat per week.
Original languageEnglish
Pages (from-to)41
JournalSonic Ideas
Volume2
Issue number2
Publication statusPublished - 1 Jan 2010

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Composer
Timbre
Envy
Harmonics
Musical Instruments
Controlled
Sound
Acoustics
Time Scales

Bibliographical note

© CMMAS, 2010

Cite this

Magnusson, T. (2010). Sobre como emborrachar un ordenador. Sonic Ideas, 2(2), 41.
Magnusson, Thor. / Sobre como emborrachar un ordenador. In: Sonic Ideas. 2010 ; Vol. 2, No. 2. pp. 41.
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Magnusson, T 2010, 'Sobre como emborrachar un ordenador', Sonic Ideas, vol. 2, no. 2, pp. 41.

Sobre como emborrachar un ordenador. / Magnusson, Thor.

In: Sonic Ideas, Vol. 2, No. 2, 01.01.2010, p. 41.

Research output: Contribution to journalArticle

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Magnusson T. Sobre como emborrachar un ordenador. Sonic Ideas. 2010 Jan 1;2(2):41.