TY - JOUR
T1 - Silent Footsteps – Renga Poetry As A Collaborative, Creative Research Method Reflecting On The Immobilities Of Gender- Based Violence In The Covid-19 Pandemic
AU - Parks, Mel
AU - Holt, Amanda
AU - Lewis, Sian
AU - Moriarty, Jess
AU - Murray, Lesley
N1 - Arts and Humanities Research Council (AHRC)
PY - 2022/4/12
Y1 - 2022/4/12
N2 - In the Covid-19 global crisis, gender-based violence (GBV) has been reshaped and reconfigured, with increases in some places and decreases in others. During our exploration of the changes in GBV through trans/feminist collaborative reflexive storying, we noticed the fragmentary nature of our storied recollections, which both represented and heightened the emotions in the work (Atkinson, 2018). With an intention of distilling the words even further, we challenged ourselves, as transdisciplinary researchers, to create a collaborative renga poem, which we titled: ‘Silent Footsteps’. An ancient Japanese form, the renga is a series of short, linked verses.
AB - In the Covid-19 global crisis, gender-based violence (GBV) has been reshaped and reconfigured, with increases in some places and decreases in others. During our exploration of the changes in GBV through trans/feminist collaborative reflexive storying, we noticed the fragmentary nature of our storied recollections, which both represented and heightened the emotions in the work (Atkinson, 2018). With an intention of distilling the words even further, we challenged ourselves, as transdisciplinary researchers, to create a collaborative renga poem, which we titled: ‘Silent Footsteps’. An ancient Japanese form, the renga is a series of short, linked verses.
M3 - Article
JO - Cultural Studies - Critical Methodologies
JF - Cultural Studies - Critical Methodologies
SN - 1532-7086
ER -