'Re-Dressing The Part': The scenographic strategies of Ellen Terry (1847-1928)

Research output: Chapter in Book/Conference proceeding with ISSN or ISBNChapter

Abstract

This chapter considers dress, both on and off the stage, as a ‘scenographic strategy’ for self-fashioning and staging identity. Using celebrated actress Dame Ellen Terry (1847-1928) as a case study, it builds on the ‘expanded’ approach to scenography advocated by McKinney and Palmer, to explores the ‘scenographic strategies’ Terry used to advertise her status at the forefront of Aestheticism and to cement her position as an icon of the movement.
Focussing on Terry’s time as the leading lady of the Lyceum Theatre (1878-1902), the discussion highlights the agency Terry exercised over a specific ‘scenographic element’ within Lyceum productions: her costume. As the chapter shows, Terry’s understanding of stage design, and the rare level of ‘scenographic agency’ she exercised over the design and creation of her costumes, enabled the actress to use these garments to both construct, and challenge, her public identity.
Original languageEnglish
Title of host publicationScenography and Art History
Subtitle of host publicationPerformance Design and Visual Culture
EditorsViveka Kjellmer, Astrid Van Rosen
PublisherBloomsbury Publishing
Chapter9
Publication statusAccepted/In press - May 2020

Fingerprint

Costume
Actresses
Self-fashioning
Clothing
Stage Design
Icon
Scenography
Aestheticism

Keywords

  • Aestheticism
  • Agency
  • Costume
  • Dress
  • Self-fashioning
  • Ellen Terry
  • Stage
  • Scenography

Cite this

Isaac, V. (Accepted/In press). 'Re-Dressing The Part': The scenographic strategies of Ellen Terry (1847-1928). In V. Kjellmer, & A. Van Rosen (Eds.), Scenography and Art History: Performance Design and Visual Culture Bloomsbury Publishing.
Isaac, Veronica. / 'Re-Dressing The Part' : The scenographic strategies of Ellen Terry (1847-1928). Scenography and Art History: Performance Design and Visual Culture. editor / Viveka Kjellmer ; Astrid Van Rosen. Bloomsbury Publishing, 2020.
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abstract = "This chapter considers dress, both on and off the stage, as a ‘scenographic strategy’ for self-fashioning and staging identity. Using celebrated actress Dame Ellen Terry (1847-1928) as a case study, it builds on the ‘expanded’ approach to scenography advocated by McKinney and Palmer, to explores the ‘scenographic strategies’ Terry used to advertise her status at the forefront of Aestheticism and to cement her position as an icon of the movement. Focussing on Terry’s time as the leading lady of the Lyceum Theatre (1878-1902), the discussion highlights the agency Terry exercised over a specific ‘scenographic element’ within Lyceum productions: her costume. As the chapter shows, Terry’s understanding of stage design, and the rare level of ‘scenographic agency’ she exercised over the design and creation of her costumes, enabled the actress to use these garments to both construct, and challenge, her public identity.",
keywords = "Aestheticism, Agency, Costume, Dress, Self-fashioning, Ellen Terry, Stage, Scenography",
author = "Veronica Isaac",
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Isaac, V 2020, 'Re-Dressing The Part': The scenographic strategies of Ellen Terry (1847-1928). in V Kjellmer & A Van Rosen (eds), Scenography and Art History: Performance Design and Visual Culture. Bloomsbury Publishing.

'Re-Dressing The Part' : The scenographic strategies of Ellen Terry (1847-1928). / Isaac, Veronica.

Scenography and Art History: Performance Design and Visual Culture. ed. / Viveka Kjellmer; Astrid Van Rosen. Bloomsbury Publishing, 2020.

Research output: Chapter in Book/Conference proceeding with ISSN or ISBNChapter

TY - CHAP

T1 - 'Re-Dressing The Part'

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AU - Isaac, Veronica

PY - 2020/5

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N2 - This chapter considers dress, both on and off the stage, as a ‘scenographic strategy’ for self-fashioning and staging identity. Using celebrated actress Dame Ellen Terry (1847-1928) as a case study, it builds on the ‘expanded’ approach to scenography advocated by McKinney and Palmer, to explores the ‘scenographic strategies’ Terry used to advertise her status at the forefront of Aestheticism and to cement her position as an icon of the movement. Focussing on Terry’s time as the leading lady of the Lyceum Theatre (1878-1902), the discussion highlights the agency Terry exercised over a specific ‘scenographic element’ within Lyceum productions: her costume. As the chapter shows, Terry’s understanding of stage design, and the rare level of ‘scenographic agency’ she exercised over the design and creation of her costumes, enabled the actress to use these garments to both construct, and challenge, her public identity.

AB - This chapter considers dress, both on and off the stage, as a ‘scenographic strategy’ for self-fashioning and staging identity. Using celebrated actress Dame Ellen Terry (1847-1928) as a case study, it builds on the ‘expanded’ approach to scenography advocated by McKinney and Palmer, to explores the ‘scenographic strategies’ Terry used to advertise her status at the forefront of Aestheticism and to cement her position as an icon of the movement. Focussing on Terry’s time as the leading lady of the Lyceum Theatre (1878-1902), the discussion highlights the agency Terry exercised over a specific ‘scenographic element’ within Lyceum productions: her costume. As the chapter shows, Terry’s understanding of stage design, and the rare level of ‘scenographic agency’ she exercised over the design and creation of her costumes, enabled the actress to use these garments to both construct, and challenge, her public identity.

KW - Aestheticism

KW - Agency

KW - Costume

KW - Dress

KW - Self-fashioning

KW - Ellen Terry

KW - Stage

KW - Scenography

M3 - Chapter

BT - Scenography and Art History

A2 - Kjellmer, Viveka

A2 - Van Rosen, Astrid

PB - Bloomsbury Publishing

ER -

Isaac V. 'Re-Dressing The Part': The scenographic strategies of Ellen Terry (1847-1928). In Kjellmer V, Van Rosen A, editors, Scenography and Art History: Performance Design and Visual Culture. Bloomsbury Publishing. 2020