Photography's Mise en Abyme: Metapictures of scale in repurposed slide libraries

Keyphrases

• Abundant Resources 50%
• Art History 50%
• Cologne 50%
• Contemporary Practice 50%
• Curator 50%
• Digital Domain 50%
• Friedrich Nietzsche 50%
• Futurity 50%
• History of Photography 50%
• HyPer 50%
• Iconoclasm 50%
• Institutional Treatment 50%
• Literary Devices 50%
• Mise En Abyme 100%
• Museum 100%
• Obsolescence 50%
• Online Environment 50%
• Overpopulation 50%
• Partial Realisation 50%
• PENELOPE 50%
• Photographer 50%
• Photographic Method 50%
• Photographic Strategy 50%
• Picture Theory 50%
• Post-photography 50%
• Promiscuity 50%
• Reproduction Quality 50%
• Repurposing 100%
• Self-referential 100%
• University of Brighton 50%
• Visual Devices 50%
• Visual Noise 50%
• Visual Space 50%
• W.J.T. Mitchell 50%

Arts and Humanities

• abyss 100%
• Art History 25%
• Artists 25%
• Brighton 25%
• Case Study 25%
• Cologne 25%
• Contemporary 25%
• Digital 25%
• Discourse 25%
• Excess 50%
• Friedrich Nietzsche 25%
• Futurity 25%
• Global 25%
• guise 25%
• history of photography 25%
• Iconoclasm 25%
• Institutional Care 25%
• Joan Fontcuberta 25%
• Limitations 25%
• literary devices 25%
• Mise En Abyme 100%
• Multiplicity 25%
• Museum Wiesbaden 25%
• Obsolescence 25%
• Online 25%
• Photographic Practice 25%
• Picture theory 25%
• Practitioners 25%
• Referential 50%
• Visual world 25%