Photography's Mise en Abyme: Metapictures of scale in repurposed slide libraries

Keyphrases

• Museum 100%
• Repurposing 100%
• Self-referential 100%
• Mise En Abyme 100%
• University of Brighton 50%
• Contemporary Practice 50%
• Visual Devices 50%
• Friedrich Nietzsche 50%
• HyPer 50%
• Art History 50%
• Curator 50%
• Photographic Method 50%
• Futurity 50%
• Online Environment 50%
• Photographer 50%
• PENELOPE 50%
• History of Photography 50%
• Obsolescence 50%
• Cologne 50%
• Visual Space 50%
• Digital Domain 50%
• Promiscuity 50%
• Post-photography 50%
• Photographic Strategy 50%
• Iconoclasm 50%
• Overpopulation 50%
• Partial Realisation 50%
• Reproduction Quality 50%
• Institutional Treatment 50%
• Visual Noise 50%
• Abundant Resources 50%
• W.J.T. Mitchell 50%
• Picture Theory 50%
• Literary Devices 50%

Arts and Humanities

• Artists 100%
• Mise En Abyme 100%
• abyss 80%
• Excess 40%
• Referential 40%
• Limitations 20%
• Discourse 20%
• Case Study 20%
• Online 20%
• Brighton 20%
• Art History 20%
• Photographic Practice 20%
• Joan Fontcuberta 20%
• Digital 20%
• Futurity 20%
• Multiplicity 20%
• guise 20%
• Institutional Care 20%
• history of photography 20%
• Friedrich Nietzsche 20%
• Cologne 20%
• Visual world 20%
• Obsolescence 20%
• literary devices 20%
• Iconoclasm 20%
• Picture theory 20%
• Museum Wiesbaden 20%
• Authors 20%