Abstract
Through a heady mix of police procedural, revenge tragedy and hard boiled fiction this article examines how and why David Peace's Red Riding Quartet explores connections between reading and detection, appropriating the genre of crime fiction as part of a wider critique of the politics of contemporary policing.
| Original language | English |
|---|---|
| Journal | CrimeCulture |
| Publication status | Published - 28 Jan 2010 |
Keywords
- David Peace Yorkshire Ripper Red Riding Contemporary Novel Literature Policing Crime