Abstract
This chapter explores the relevance of the protest song as political communication in the Internet era. Focusing on the prolific and diverse YouTube music video output of the Gezi Park protest of 2013, we explore how digital technologies and social media offer new opportunities for protest music to be produced and reach new audiences. We argue that the affordances of digital media and Internet platforms such as YouTube play a crucial part in the production, distribution and consumption of protest music. In the music videos, collected from Twitter, activists use a range of aesthetic and rhetorical tools such as various mash-up techniques to challenge mainstream media reporting on the protest, communicate solidarity, and express resistance to dominant political discourse.
Original language | English |
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Title of host publication | The Aesthetics of Global Protest |
Subtitle of host publication | Visual Culture and Communication |
Editors | Aidan McGarry, Itir Erhart, Hande Eslen-Ziya, Olu Jenzen, Umut Korkut |
Place of Publication | Amsterdam |
Publisher | Amsterdam University Press |
Chapter | 10 |
Pages | 211-231 |
ISBN (Electronic) | 9789048544509 |
ISBN (Print) | 9789463724913 |
DOIs | |
Publication status | Published - 9 Dec 2019 |
Bibliographical note
Creative Commons License CC BY NC ND (http://creativecommons.org/licenses/by-nc-nd/3.0)© All authors / Amsterdam University Press B.V., Amsterdam 2020