Moving targets: photography and its metaphors

Annebella Pollen

doi:10.1353/mod.2013.0012

Moving targets: photography and its metaphors

Annebella Pollen

University of Brighton

Research output: Contribution to journal › Book/Film/Article review › peer-review

Abstract

The commissioned extended review evaluated the exhibition and publication by Clement Cheroux, entitled Shoot! Existential Photography. With particular reference to its 2012 iteration at The Photographer's Gallery, London, this essay explored the premises for the exhibition and sought to challenge the equivalence drawn between photography and annhiliation in the context of broader debates about the apparently deathly nature of the medium.

Original language	English
Pages (from-to)	123-127
Number of pages	5
Journal	Modernism/modernity
Volume	20
Issue number	1
DOIs	https://doi.org/10.1353/mod.2013.0012
Publication status	Published - 21 Jan 2013

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Cite this

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title = "Moving targets: photography and its metaphors",

abstract = "The commissioned extended review evaluated the exhibition and publication by Clement Cheroux, entitled Shoot! Existential Photography. With particular reference to its 2012 iteration at The Photographer's Gallery, London, this essay explored the premises for the exhibition and sought to challenge the equivalence drawn between photography and annhiliation in the context of broader debates about the apparently deathly nature of the medium.",

author = "Annebella Pollen",

note = "Copyright {\textcopyright} 2013 The Johns Hopkins University Press. This article first appeared in Modernism/modernity, Volume 20, Issue 1, January, 2013, pages 123-127.",

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Moving targets: photography and its metaphors

Abstract

Bibliographical note

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