Mapping Sitting: On Portraiture and Photography

Zeina Maasri (Editor), Akram Zaatari (Editor), Karl Bassil (Editor), Walid Raad (Editor)

Research output: Book/ReportBook - edited

Abstract

Edited by Karl Bassil, Zeina Maasri and Akram Zaatari, in collaboration with Walid Raad, Mapping Sitting is the book counterpart to the eponymous exhibition curated by Raad and Zaatari from the Arab Image Foundation. Featuring photographs taken between the 1920s and the 1970s, in Lebanon, Egypt, Iraq, Palestine and Jordan, it raises questions about portraiture, performance, photography and identity in the Arab world. Both the exhibition and the book examine how the photographic portrait functioned as a commodity, a luxury item, an adornment; as a description of individuals and groups; and as the inscription of social identities. The authors proceed from the thesis that photographic practices are symptomatic of an evolving capitalist organization of labor and its products, and of established conventions of iconic representation. They also propose that these practices are not only reflective but are also productive of new notions of work, leisure, play, citizenship, community and individuality.

905 photographs: 77 color and 828 duotones. 284 pages, 15.8 x 20 x 2.6 cm.

Featured in “The Photo Book: A History - Volume 2” by Martin Parr and Gerry Badger, published by Phaidon in 2006, and in “Book Design” by Andrew Haslam, published by Laurence King Publishing in 2006
Original languageEnglish
Place of PublicationBeirut
PublisherArab Image Foundation
ISBN (Print)9789953004129
Publication statusPublished - 2002

Fingerprint

Portraiture
Photography
Akram Zaatari
History
Book Design
1920s
Iconic
Labor
Phaidon
1970s
Laurence King
Reflective
Colour Photographs
Walid Raad
Egypt
Martin Parr
Citizenship
Arab World
Adornment
Social Identity

Keywords

  • photography and archives
  • visual culture
  • Middle East
  • global history

Cite this

Maasri, Z., Zaatari, A., Bassil, K., & Raad, W. (Eds.) (2002). Mapping Sitting: On Portraiture and Photography. Beirut: Arab Image Foundation.
Maasri, Zeina (Editor) ; Zaatari, Akram (Editor) ; Bassil, Karl (Editor) ; Raad, Walid (Editor). / Mapping Sitting : On Portraiture and Photography. Beirut : Arab Image Foundation, 2002.
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Maasri, Z, Zaatari, A, Bassil, K & Raad, W (eds) 2002, Mapping Sitting: On Portraiture and Photography. Arab Image Foundation, Beirut.

Mapping Sitting : On Portraiture and Photography. / Maasri, Zeina (Editor); Zaatari, Akram (Editor); Bassil, Karl (Editor); Raad, Walid (Editor).

Beirut : Arab Image Foundation, 2002.

Research output: Book/ReportBook - edited

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N2 - Edited by Karl Bassil, Zeina Maasri and Akram Zaatari, in collaboration with Walid Raad, Mapping Sitting is the book counterpart to the eponymous exhibition curated by Raad and Zaatari from the Arab Image Foundation. Featuring photographs taken between the 1920s and the 1970s, in Lebanon, Egypt, Iraq, Palestine and Jordan, it raises questions about portraiture, performance, photography and identity in the Arab world. Both the exhibition and the book examine how the photographic portrait functioned as a commodity, a luxury item, an adornment; as a description of individuals and groups; and as the inscription of social identities. The authors proceed from the thesis that photographic practices are symptomatic of an evolving capitalist organization of labor and its products, and of established conventions of iconic representation. They also propose that these practices are not only reflective but are also productive of new notions of work, leisure, play, citizenship, community and individuality.905 photographs: 77 color and 828 duotones. 284 pages, 15.8 x 20 x 2.6 cm.Featured in “The Photo Book: A History - Volume 2” by Martin Parr and Gerry Badger, published by Phaidon in 2006, and in “Book Design” by Andrew Haslam, published by Laurence King Publishing in 2006

AB - Edited by Karl Bassil, Zeina Maasri and Akram Zaatari, in collaboration with Walid Raad, Mapping Sitting is the book counterpart to the eponymous exhibition curated by Raad and Zaatari from the Arab Image Foundation. Featuring photographs taken between the 1920s and the 1970s, in Lebanon, Egypt, Iraq, Palestine and Jordan, it raises questions about portraiture, performance, photography and identity in the Arab world. Both the exhibition and the book examine how the photographic portrait functioned as a commodity, a luxury item, an adornment; as a description of individuals and groups; and as the inscription of social identities. The authors proceed from the thesis that photographic practices are symptomatic of an evolving capitalist organization of labor and its products, and of established conventions of iconic representation. They also propose that these practices are not only reflective but are also productive of new notions of work, leisure, play, citizenship, community and individuality.905 photographs: 77 color and 828 duotones. 284 pages, 15.8 x 20 x 2.6 cm.Featured in “The Photo Book: A History - Volume 2” by Martin Parr and Gerry Badger, published by Phaidon in 2006, and in “Book Design” by Andrew Haslam, published by Laurence King Publishing in 2006

KW - photography and archives

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Maasri Z, (ed.), Zaatari A, (ed.), Bassil K, (ed.), Raad W, (ed.). Mapping Sitting: On Portraiture and Photography. Beirut: Arab Image Foundation, 2002.