Abstract
Shakespeare's opening scenes are often overlooked as explicit dramturgical entrances into play and drama: this keynote lecture argues that Shakespeare experiments and perfects the art of the opening scene as a specific political project in the latter part of his career (1606-13).
| Original language | English |
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| Publisher | London |
| Place of Publication | Rose Theatre, Kingston |
| Publication status | Published - 2 Apr 2016 |