Abstract
A special issue of the soundtrack comprising six articles providing new theories and approaches to the study of Foley Sound. Including:
- Rendering the Umwelt: Foley, animal life and ethics (Pollard 2024)
- The Cloth Pass and Soft Glitch" (Bower 2024)
- [Bones Cracking]: Read and listening to Foley and caption (Berry 2024)
- Navigating 'Feel': When Hands Touch Sound Effects (Keenan 2024)
- A surreal science: Guy Maddin's Foley of the unconscious in Brand Upon the Brain! and Footsteps (Tomkinson 2024)
- Notes from the Foley Studio: On walking assemblages, messiness and the auditory x-ray (Glover 2024)
- Rendering the Umwelt: Foley, animal life and ethics (Pollard 2024)
- The Cloth Pass and Soft Glitch" (Bower 2024)
- [Bones Cracking]: Read and listening to Foley and caption (Berry 2024)
- Navigating 'Feel': When Hands Touch Sound Effects (Keenan 2024)
- A surreal science: Guy Maddin's Foley of the unconscious in Brand Upon the Brain! and Footsteps (Tomkinson 2024)
- Notes from the Foley Studio: On walking assemblages, messiness and the auditory x-ray (Glover 2024)
| Original language | English |
|---|---|
| Type | Special Issue |
| Media of output | Edited Journal |
| Publisher | Intellect journals |
| Number of pages | 99 |
| Edition | 1 |
| Volume | 16 |
| ISBN (Print) | 1751-4193 |
| ISBN (Electronic) | 1751-4207 |
| Publication status | Accepted/In press - 25 Mar 2024 |
Keywords
- Foley Sound
- live performance
- eco criticism
- posthumanism
- philosophy
- sound effects
- labour
- costume
- ASMR
- disability
- access
- deafness
- listening
- embodiment
- psychoanalysis
- soundscapes