Ethnopoetics and the performativity of place: Jerome Rothenberg and "That Dada Strain"

Research output: Chapter in Book/Conference proceeding with ISSN or ISBNChapter

Abstract

This chapter proposes that Jerome Rothenberg’s work as editor of several influential anthologies – from Technicians of the Sacred (1967) and Shaking the Pumpkin (1972) to Poems for the Millennium (1995) – develops a protean definition of poesis as a direct challenge to cultural imperialism. In contradistinction to the categorizing of schools and movements (Black Mountain, Beat, New York, Language etc.), I examine how Rothenberg adopted a dialectical or processual anthropology in creating anthologies that share a generative quality, inviting the reader to actively participate in an interrogation of the what, how, who, when and if/was/is of ethnopoetics. Performing a series of ethnopoetic readings, I describe the insistently processual dynamic of welcoming the other which looks to secure an ethical responsibility in the performance of place.
Original languageEnglish
Title of host publicationPlacing Poetry
EditorsIan Davidson, Zoe Skoulding
Place of PublicationAmsterdam, The Netherlands
PublisherEditions Rodopi B.V.
Pages257-280
Number of pages24
ISBN (Print)9789042036147
Publication statusPublished - 2 Jan 2013

Publication series

NameSpatial Practices

Keywords

  • Poetry
  • Jerome Rothenberg
  • Elsa von Freytag Loringhoven

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    Wrighton, J. (2013). Ethnopoetics and the performativity of place: Jerome Rothenberg and "That Dada Strain". In I. Davidson, & Z. Skoulding (Eds.), Placing Poetry (pp. 257-280). (Spatial Practices). Editions Rodopi B.V..