Empathy and presence in telematic art practice, from the gallery to the street

Paul Sermon

Empathy and presence in telematic art practice, from the gallery to the street

Research output: Chapter in Book/Conference proceeding with ISSN or ISBN › Chapter › peer-review

Abstract

This article presents Paul Sermon’s unique contribution to the field of media art through his participatory interactive media art installations since the early 1990s, charting a phenomenological exploration of agency through his artworks that include ‘There’s no simulation like home’ (1999), ‘All the World’s a Screen’ (2011), ‘Occupy the Screen’ (2014), and ‘Peoples Screen’ (2015).

Original language	English
Title of host publication	Arts, réseau, société'
Place of Publication	Paris
Publisher	Université Paris 1 Panthéon-Sorbonne
Publication status	Accepted/In press - 10 Mar 2024

Bibliographical note

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Empathy and presence in telematic art practice, from the gallery to the street

Abstract

Bibliographical note

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