Abstract
What can we say of the archives that preserve images taken during slavery and in concentration camps? Or of photographs depicting an ancestral heritage that has been destroyed or usurped? What of those whose repositories contain photographs of colonial violence, of people who have been executed? And what about photographs depicting contemporary global challenges? What can we say, for example, of albums documenting the extraction of natural resources, or the extinction of multiple species?
Edited by Carles Guerra
Contributors: Ariella Aïsha Azoulay, teresa Ferré Panisello, Yasmine Eid-Sabbagh, Ana Longoni, Hilde Van Gelder, Michaëla danjé & Cases Rebelles, Xavier Ribas, T,J.Demos, Eyal Weizman
Edited by Carles Guerra
Contributors: Ariella Aïsha Azoulay, teresa Ferré Panisello, Yasmine Eid-Sabbagh, Ana Longoni, Hilde Van Gelder, Michaëla danjé & Cases Rebelles, Xavier Ribas, T,J.Demos, Eyal Weizman
Translated title of the contribution | The Future Of Chile In The Nitrate Photographs |
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Original language | Spanish |
Title of host publication | Restituciones |
Subtitle of host publication | La Fotografia En Deuda Cn Su Pasado |
Editors | Carles Guerra |
Place of Publication | Barcelona |
Chapter | 7 |
Pages | 173-201 |
Number of pages | 28 |
Publication status | Published - 13 Feb 2023 |
Keywords
- Photography
- History
- Colonialism
- conflict