Doing Design History: Dr Suzanne Rowland on Vivienne Westwood

Vivienne Westwood’s designs have long transcended fashion, becoming symbols of rebellion, self-identity, and cultural commentary. This research examines the personal and cultural significance of Westwood’s work to collectors and wearers through oral history interviews and thematic analysis. By examining how individuals and groups meaningfully engage with Westwood’s clothing and ethos through the transdisciplinary frameworks of fashion studies, dress history, ageing, and fandom, this study aims to contribute to the ongoing memorialisation of Vivienne Westwood by adding the fans’ everyday stories to her legacy.

In this collaborative project, I am working alongside fashion practitioner and specialist in cut and construction Emma Jane Goldsmith from Northumbria University, and we recently started working with illustrator Sara Gibbeson from the University of Sunderland.