This article is a close reading of Rasheed Araeen's 'Cruciform' works of the 1980s-90s, which brings to the surface Araeen's immanent critique of the colonial and imperialist underpinnings of the history of western Modernism.
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|Published - 1 Dec 2017
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- School of Humanities and Social Science - Senior Lecturer
- Centre for Applied Philosophy, Politics and Ethics