Abstract
Few can argue against the successes of internationally acclaimed landscape architect Cornelia Hahn Oberlander. After over six decades of practice, her portfolio boasts a diversity of works ranging from intimate private suburban gardens and public playgrounds to politically charged urban schemes realized in collaboration with high-profile architects. Vancouver’s Museum of Anthropology (1976) and the National Gallery of Canada (1988) are among her most well-known. While this celebration of Oberlander’s prolific career feels long overdue, landscape architect and professor Susan Herrington lends a unique approach to the telling of the story by weaving Oberlander’s biography within the trajectory of modern landscape architecture.
| Original language | English |
|---|---|
| Number of pages | 1 |
| Journal | Canadian Architect |
| Publication status | Published - 1 Sept 2014 |
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