Abstract
This paper investigates issues central to the reconstruction and display of iconic – or canonical - Modernist houses. The Haus am Horn in Weimar (1923) and Bauhaus Meister houses in Dessau (1925-1926) have complex exhibition histories. Together, they offer fascinating case studies of changing priorities in conservation, interpretation and display.
| Original language | English |
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| Title of host publication | From De Stijl to Dutch design: canonising design 2.0 |
| Place of Publication | Amsterdam |
| Publisher | Stichting Designgeschiedenis Nederland |
| Pages | 25-33 |
| Number of pages | 9 |
| Publication status | Published - 1 Sept 2017 |
| Event | From De Stijl to Dutch design: canonising design 2.0 - Centraal Museum, Utrecht, 9 December 2016 Duration: 1 Sept 2017 → … |
Conference
| Conference | From De Stijl to Dutch design: canonising design 2.0 |
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| Period | 1/09/17 → … |