Abstract
This is a review of books which address two related issues of interest to musical Marxists: the political nature of music and the relationship between music and capitalism. The review comprises a critique of the Rancièrian framework underpinning Shank’s theorisation of musical beauty and politics, and an assessment of Taylor’s account of the music business in the era of neoliberal globalisation.
| Original language | English |
|---|---|
| Journal | Historical Materialism |
| Volume | Online |
| Publication status | Published - 17 Feb 2020 |
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