Abstract
The author discusses live coding as a new path in the evolution of the musical score. Live-coding practice accentu- ates the score, and whilst it is the perfect vehicle for the performance of algorithmic music it also transforms the compositional process itself into a live event. As a continuation of 20th-century artistic develop- ments of the musical score, live-coding systems often embrace graphical elements and language syntaxes foreign to standard programming lan- guages. The author presents live coding as a highly technologized artistic practice, shedding light on how non-linearity, play and generativity will become promi- nent in future creative media productions.
| Original language | English |
|---|---|
| Pages (from-to) | 19-23 |
| Number of pages | 5 |
| Journal | Leonardo Music Journal |
| Volume | 21 |
| DOIs | |
| Publication status | Published - 16 Nov 2011 |