Algorithms as scores: coding live music

Thor Magnusson

Research output: Contribution to journalArticle

Abstract

The author discusses live coding as a new path in the evolution of the musical score. Live-coding practice accentu- ates the score, and whilst it is the perfect vehicle for the performance of algorithmic music it also transforms the compositional process itself into a live event. As a continuation of 20th-century artistic develop- ments of the musical score, live-coding systems often embrace graphical elements and language syntaxes foreign to standard programming lan- guages. The author presents live coding as a highly technologized artistic practice, shedding light on how non-linearity, play and generativity will become promi- nent in future creative media productions.
Original languageEnglish
Pages (from-to)19-23
Number of pages5
JournalLeonardo Music Journal
Volume21
DOIs
Publication statusPublished - 16 Nov 2011

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Music
Musical Score
Generativity
Syntax
Nonlinearity
Programming Languages
Creative Futures
Continuation
Language
Artistic Practice

Bibliographical note

© 2011 ISAST

Cite this

Magnusson, Thor. / Algorithms as scores: coding live music. In: Leonardo Music Journal. 2011 ; Vol. 21. pp. 19-23.
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Algorithms as scores: coding live music. / Magnusson, Thor.

In: Leonardo Music Journal, Vol. 21, 16.11.2011, p. 19-23.

Research output: Contribution to journalArticle

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