Alas, Poor Richard: Fandom, Personal Identity and Ben Myer’s Novelization of Richey Edwards’ Life Story

Mark Duffett, Paula Hearsum

Research output: Contribution to journalArticle

Abstract

In 1995 the Manic Street Preachers played their last show as a four piece before their rhythm guitarist and “minister for propaganda” Richey Edwards disappeared on the advent of a US tour. Although his body was never found, his car was discovered at the Severn bridge so it was assumed Edwards had committed suicide. Fifteen years later, in a novelization called Richard, music journalist Ben Myers wrote a fictionalized first-person account of Richey’s life story in order to explore the troubled guitarist’s mysterious last days. This article uses academic research on fandom to contextualize a range of responses to the publication of Richard. Comparing readings based around parasocial relationships and textual poaching, it shows that fans’ understandings of literary impersonation go well beyond issues of personal intimacy to reflect a broad understanding of the inter-textual fabrication of celebrity images.
Original languageEnglish
Pages (from-to)65-84
Number of pages20
JournalVolume!
Volume14
Issue number1
Publication statusPublished - 13 Dec 2017

Fingerprint

Guitarist
Novelization
Life Story
Personal Identity
Academic Research
Rhythm
Journalists
Car
First Person
Propaganda
Music
Celebrity
Intertextual
Manic Street Preachers
Intimacy
Fabrication
Suicide

Keywords

  • popular music fans
  • parasocial interaction
  • textual poaching
  • psychological autopsy

Cite this

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abstract = "In 1995 the Manic Street Preachers played their last show as a four piece before their rhythm guitarist and “minister for propaganda” Richey Edwards disappeared on the advent of a US tour. Although his body was never found, his car was discovered at the Severn bridge so it was assumed Edwards had committed suicide. Fifteen years later, in a novelization called Richard, music journalist Ben Myers wrote a fictionalized first-person account of Richey’s life story in order to explore the troubled guitarist’s mysterious last days. This article uses academic research on fandom to contextualize a range of responses to the publication of Richard. Comparing readings based around parasocial relationships and textual poaching, it shows that fans’ understandings of literary impersonation go well beyond issues of personal intimacy to reflect a broad understanding of the inter-textual fabrication of celebrity images.",
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Alas, Poor Richard : Fandom, Personal Identity and Ben Myer’s Novelization of Richey Edwards’ Life Story. / Duffett, Mark; Hearsum, Paula.

In: Volume!, Vol. 14, No. 1, 13.12.2017, p. 65-84.

Research output: Contribution to journalArticle

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AB - In 1995 the Manic Street Preachers played their last show as a four piece before their rhythm guitarist and “minister for propaganda” Richey Edwards disappeared on the advent of a US tour. Although his body was never found, his car was discovered at the Severn bridge so it was assumed Edwards had committed suicide. Fifteen years later, in a novelization called Richard, music journalist Ben Myers wrote a fictionalized first-person account of Richey’s life story in order to explore the troubled guitarist’s mysterious last days. This article uses academic research on fandom to contextualize a range of responses to the publication of Richard. Comparing readings based around parasocial relationships and textual poaching, it shows that fans’ understandings of literary impersonation go well beyond issues of personal intimacy to reflect a broad understanding of the inter-textual fabrication of celebrity images.

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